Summer Fine Art Show at The Happening Gallery and Instincts of Nature at Affinity Galleries


by Carolyn Blais

Los Angeles was chockablock with art openings all over town Saturday night and I had my mind set on attending at least two of them before the night was through. Thankfully I made it across town to both, dodging traffic on the 10 with the help of my human navigator and date, Tim as well as my electronic navigator Garmin, or “Lady Gar Gar” as Tim likes to call it.

First I was off to The Happening Gallery on Lincoln Blvd in Marina Del Rey. Having been to the gallery for its grand opening in March and then again in April, I was excited to see what artistic marvels were in store this time around. As usual I was not let down, and in fact this may have been one of my favorite exhibits at The Happening to date as each of the artists on display had unusual work processes that yielded uniquely engaging pieces. Tess Logan for example, was intriguing to me for her medium: instant coffee. Logan didn’t mention which brand of instant coffee, and I forgot to ask if it makes a difference but I did ask how she came to paint with the gritty powder. Apparently after coming home late one night she accidentally spilled some and noticed in the morning the cool effect it made on paper. In her piece “Lost” Logan paints with the brown substance which she admits has magnificent staying power on its own and does not need to be mixed with any paint material. One can only imagine what it does to stomachs.

Walt Jones is another artist currently on display at The Happening, whose work I am sort of in awe of. Jones, a former light designer for modern dance and ballet, depicts images of dancers in his pieces—but what makes them so fascinating is the manner in which he creates them. The artist tells me he first melts wax and pours it into a pan which has been heated to a certain temperature in order to keep the wax from hardening right away. He then takes a syringe that he fills with ink and uses it like a paint brush, injecting his design into the wax. Immediately, before the wax hardens and the ink design loses its shape, Jones takes several pictures of the design. The process comes full circle when the artist prints the digital picture of the design and then coats it in a layer of wax. The finished product may look simple at first glance, but in truth the process is certainly quite labor intensive.

Before I have to rush away to the second gallery of the night, I have the pleasure of chatting with artist Rachael Rendon whose life-like paintings I nearly mistake for photographs. If, like me, you own a digital camera that is terrible at taking pictures at night, you probably end up with photos that are marked by blurry light streaks and shadows. The good news is, this is actually a kind of photography called lomography which can be seen as art. Rendon uses lomography by taking photographs that portray these “happy accidents” as she calls them and then painting exact replicas of the photos. The artist tells me she came up with the idea because she has a terrible memory and wanted to document her experiences with friends. I have a terrible memory too but have to settle for my smudged photos rather than awesome art like the kind Rendon can create.

Over in West Hollywood I scurried to Affinity Galleries. There was still wine flowing freely and plenty of guests enjoying art when I arrived. I had been once before so I knew there are two gallery spaces, one in the front and one in the back. Tim and I head to the gallery in back first to be greeted by several large ceramic heads on pedestals. Different colored polka dots adorn the otherwise white heads, some with mouths partially open and exposing teeth. On two of the heads sit little human figures, also made out of ceramic. To the left there is actually a totem pole of similar but smaller heads, with a cat head at the top, and then a bird on top of that. Artist Linda Smith could be trying to evoke some kind of deep effect, but for me, the uneducated art aficionado, the pieces seem playful and bring a smile to my face. I’m reminded of my 97 year old Italian grandmother who used to make ceramics, though hers were mostly of religious figures. Though I’ve never worked with ceramics, I get the impression that it is a laid back, peaceful process since the results seem pleasing to me and put me at ease. So too does Smith’s other piece, a painting entitled “Sedona.” The bright, neon-like colors she uses and the thick globs of paint remind me of those puffy paint shirts I used to wear in the 90s. I didn’t have the pleasure of meeting the artist but if I had I would have thanked her for the trip down memory lane.

Instincts of Nature is the title of the exhibit at Affinity and appropriately so since the next artist on my favorites list is a green artist that recycles used wood pieces in his art—chair legs, bed posts, it doesn’t matter where the wood comes from, Randall Oldrieve can make it work. I feel sort of like I’m on a set of a Tim Burton film when I walk through the large first floor space in the front gallery where Oldrieve’s works reside. There are three eight foot structures that tower and spiral upwards. Each is made out of various pieces of found wood that are stacked on top of each other like a giant, very complex game of Jenga. Oldrieve takes a chain saw to carve them and give them the curved shape that looks like a tornado cloud. The artist says he was first inspired to create from a memory of a water spout shooting up from outside his classroom window as he was looking out, day dreaming one day as a school boy. He is also inspired by other aspects of nature, in the case of these three pieces fittingly called “Twister,” the artist says he followed the mould of a broken sea shell as a kind of guide in his creation. I am moved not only by Oldrieve’s extensive work process from finding the different pieces of wood, to fitting them together, to placing a rod in the middle of each piece and screwing them into place; but also by the powerful presence and strength that each complete structure exudes.

Both The Happening Gallery and Affinity Galleries were well worth my traveling efforts on Saturday night. The art in both galleries will move and delight all those who partake in it. Both exhibits are free to the public and open six days a week. Visit the galleries’ websites for more information: and

Quick View:
WHAT: Summer Fine Art Show at The Happening Gallery and
Instincts of Nature at Affinity Galleries
WHERE: The Happening Gallery: 4047 Lincoln Blvd, Marina del Rey
Affinity Galleries: 7065 Lexington Ave, West Hollywood
WHEN: Saturday, June 12th


  1. June 18, 2010 @ 7:04 pm Tony Clark

    Wow Carolyn!

    You totally got it. I love that you reached from both ends of the spectrum of my curation of I.O.N. – Instincts Of Nature. Randall’s work evoke the genesis of enegry that leads to the lifeforms created by Linda. Both artist move you in completely different ways. I hope your readers will come to see the six other artists that complete the whole story of my “sand painting”

    I am so happy you were there to partake in the celebration of enegry and life.

    Tony Clark

  2. June 18, 2010 @ 9:25 pm Dave

    I saw the show and was very impressed. Affinity Galleries is taking this long standing West Hollywood gallery in a new direction, and I like what I see! Can’t wait for the next show.

  3. June 18, 2010 @ 11:05 pm Gabor MiMoAuctions

    Tony Clark has a selected eye and taste. He has great parties with great artists, I am so happy to know him and work together with him. Gabor @ mimoauctions

  4. June 19, 2010 @ 1:07 am Dan Pyle

    Thanks for coming to our show at Affinity Gallery. It was a great opening night & I had nothing but good comments on my work & gained many new fans. We appreciate the media coverage to encourage people to come & check out a very diverse selection of art & artists.

  5. June 19, 2010 @ 3:20 am Randall Oldrieve

    I appreciate the attention to detail that Carolyn has given to interpretting my work. This exhibit has been special to me and Carolyn’s enthusiasm meant a lot at the show and is heartwarming in the review!

  6. June 19, 2010 @ 10:15 am Rich Oldrieve

    Hey brother,

    Excellent picture. Great to be in a gallery that gives your pieces enough room to show themselves off. Quality art on the walls that highlights both your work and theirs. Congratulations.


    P.S. Have you seen my white sport coat anywhere?

  7. June 20, 2010 @ 11:50 am Jodie Hart

    Tony Clark is not only doing something new on the art world, but he’s facilitating a completly new approach to the art experience. To walk through his exhibit evokes not only a memory response of the past, but also a look into the future (as expressed through the eyes and hands of the next generation of great artists). Don’t just come to see this exhibit; come to experience it.

  8. July 28, 2010 @ 2:41 pm Tony Clark

    Dear Carolyn
    I hope you and your readers come to see the current exhibitions; MY CAVAFY -PHOTOGRAPHY OF STATHIS ORPHANOS and THE MASTERS GALLERY that includes Hockney, Shire,Cocteau, Chicago, Bonnard, Gill, Dali, Tchelitchew, Thiebaud, Man Ray and many more.

    Sat Nam


  9. October 4, 2010 @ 9:39 pm brian nieman


    It’s great to see you reviewing collections of both cutting edge art and curation taking place at Affinity Gallery and The Happening Gallery. Tony Clark, in particular, seems to, time after time, assemble a collection of art and artists whose presence in one show is masterfully thought out and a powerful statement. Each new show is different as night to day….each having the visual power of a locomotive.
    Tony Clark is the curatorial example of the sum being so much greater than its parts, no matter how amazing each part is. I can’t wait to see what he’s working on next.


  10. August 1, 2014 @ 1:44 am fire pit cooking

    Wow, this piece of writing is nice, my younger sister is analytzing
    these kinds of things, thus I am going to let know her.

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