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Humor

IS THE (WINE) GLASS HALF FULL? Interview with Rex Pickett… by Marco Mannone
Thursday, 11 Nov, 2010 – 18:49 | 6 Comments

Bravely dipping a pen in the ink of his own soul, Pickett’s novels chart a winding path from divorced, struggling writer in the throes of an existential crises, to celebrated author.

WOULD YOU LET YOUR DOG SUFFER THIS LONG? A Cultural Analysis of The Lohan Syndrome… by Marco Mannone
Thursday, 15 Jul, 2010 – 19:58 | No Comment

Maybe we enjoy the secret thrill of watching a once-cute child actress blossom into a buxom sex-symbol only to get bloated on whiskey and cocaine and her own radioactive ego, left to crash and burn like a kamikaze bisexual and flush what’s left of her toxic soul down a shit-stained toilet. Maybe… but then again maybe not.

CALIFORNICATION IS A STATE OF MIND: Interview With “God Hates Us All” Author Jonathan Grotenstein… by Marco Mannone
Thursday, 10 Jun, 2010 – 20:04 | 4 Comments

That’s right. You can now purchase and read the book that put Hank on the map, with his very name on the cover and a brief bio on the back. And it’s not only a bona fide work of fiction, but a damn good one at that.

The Couch Battle, by Julia Ingalls
Tuesday, 29 Dec, 2009 – 2:21 | One Comment
The Couch Battle, by Julia Ingalls

During parties, especially ones in designer-conscious downtown Los Angeles lofts, the couch is coveted territory. People have just spent twenty minutes making polite non-committal remarks around the kitchen island, and all anyone wants to do, at this point, is rest on the cushions and maybe squeeze an end pillow. However, the same competitive drive that applies to every other aspect of life in the city is amplified here. The people on the couch are ruthless motherfuckers.

Lounge Singing: An Existential Crisis, by Julia Ingalls
Friday, 6 Nov, 2009 – 1:26 | 2 Comments

Lounge singing is one of the perennial occupations of pop culture. Most elegantly embodied by Frank Sinatra, and most cheesily realized by karaoke, lounge singing is a cultural touch-stone, a greasy but instantly recognizable symbol. What is it about the sight of a man leaning up against a piano, tie slightly askew, a once primo cocktail disintegrating into the watery dregs, that digs so deeply into the soul? It is every man’s dream to prowl a softly-lit stage, tossing off harmonic platitudes to a crowd of clingy drunks?