Art
THE ART OF CREATIVITY is Jim Wooden’s new video series devoted to exploring and revealing…
When I found out that the 15th Annual Los Angeles Art Show is taking place at the LA Convention Center this year, I immediately flashed back to the last time I was there, about 5 years ago, getting sworn in as an American citizen. Instead of being surrounded by fellow foreigners awkwardly waving our tiny American flags as a video George Bush, wheat fields, and smiling children played on a large screen, this time I was surrounded by rich old people, hipsters, and hungry reporters.
The National Italian American Foundation and the Istituto Italiano di Cultura Los Angeles co-host Canali.
To view Mario Canali’s art is to transport into a world of paradox, both delightful and disturbing. Featuring inquisitive human hybrids and surreal landscapes, Canali’s works are disruptive, edgy and innovative, as they were when he painted them in the 70s’ and 80s’. To gaze into the eyes of his creatures is like looking into the eyes of a lion, knowing you are safe only because they are caged. Canali’s hybrid humans not only catch the eye, they hold it spellbound.
Read and Listen to the Interview
#gallery-1 {
margin: auto;
}
#gallery-1 .gallery-item {
float: left;
margin-top: 10px;
text-align: center;
width: 33%; }
#gallery-1 img {
border: 2px solid #cfcfcf;
}
#gallery-1 .gallery-caption {
margin-left: 0;
}
Graphic novels aren’t just the province of superheroes and neurotic shut-ins. Forth is proud to feature an example of the new direction of this form, via an excerpt from Jimenez Lai’s Bureau Spectacular.

