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IS THE (WINE) GLASS HALF FULL? Interview with Rex Pickett… by Marco Mannone
Thursday, 11 Nov, 2010 – 18:49 | 6 Comments

Bravely dipping a pen in the ink of his own soul, Pickett’s novels chart a winding path from divorced, struggling writer in the throes of an existential crises, to celebrated author.

“LESS” WAS MORE: Bret Easton Ellis’ “Imperial Bedrooms” Review… by Marco Mannone
Wednesday, 4 Aug, 2010 – 20:50 | One Comment

As per usual with most of his novels, there’s a rash of disappearing characters, cryptic threats, violent snuff films, grotesque sexual abuse and a total lack of any positive emotion within the narrator (yawn).

WOULD YOU LET YOUR DOG SUFFER THIS LONG? A Cultural Analysis of The Lohan Syndrome… by Marco Mannone
Thursday, 15 Jul, 2010 – 19:58 | No Comment

Maybe we enjoy the secret thrill of watching a once-cute child actress blossom into a buxom sex-symbol only to get bloated on whiskey and cocaine and her own radioactive ego, left to crash and burn like a kamikaze bisexual and flush what’s left of her toxic soul down a shit-stained toilet. Maybe… but then again maybe not.

SCREENWRITER’S BLUES: A Letter to the L.A. Times Regarding the Death of Hollywood… by Marco Mannone
Sunday, 11 Jul, 2010 – 17:46 | No Comment

Executives and Greedheads around this town tend to burst into flames when they’re told they should Respect their writers. After nearly a decade of sheer desperation, 2010 has proven the most lucrative year for me yet as a paid, working screenwriter here in L.A. The catch is, my checking account is still running on fumes and I might have to siphon gas from some fat-cat’s Lexus in order to drive my car off Mulholland Dr.

CALIFORNICATION IS A STATE OF MIND: Interview With “God Hates Us All” Author Jonathan Grotenstein… by Marco Mannone
Thursday, 10 Jun, 2010 – 20:04 | 4 Comments

That’s right. You can now purchase and read the book that put Hank on the map, with his very name on the cover and a brief bio on the back. And it’s not only a bona fide work of fiction, but a damn good one at that.