THE ART OF CREATIVITY is Jim Wooden’s new video series devoted to exploring and revealing…

This cozy gallery lends itself perfectly to this sort of exhibition reception; it’s made for those who want to walk in, grab complimentary free wine and (awesome) cookies (seriously, try the cashew ones), and hit the two photograph-filled rooms to ogle, shop, and mingle. The crowd was mostly older and sophisticated, comprised of those that had a decorating budget and a taste for fine photography, and knew how to use them. I, with my nonexistent decorating budget, was just there to look.

When I found out that the 15th Annual Los Angeles Art Show is taking place at the LA Convention Center this year, I immediately flashed back to the last time I was there, about 5 years ago, getting sworn in as an American citizen. Instead of being surrounded by fellow foreigners awkwardly waving our tiny American flags as a video George Bush, wheat fields, and smiling children played on a large screen, this time I was surrounded by rich old people, hipsters, and hungry reporters.

Anticipation better not get the best of me. An hour before my partner in XXX crime arrives to pick me up to go to Sardo’s Grill & Lounge, the so-called home of the San Fernando Valley’s Tuesday night Porn Star Karaoke, expectations are flying around, having a heyday. We have both been assigned to check out where the valley’s living exhibits go after a long, hard day at work to relax and hang loose, no pun intended. I repeatedly tell myself there’s no point in all this anticipating, that thinking too much about what will be will kill it. But in all fairness to myself, fantasizing about it is half the fun. All I can think about is having to sing “Physical” or “She’ll Be Cuming ‘Round the Mountain” to a crowd of drunken adult film stars while my arm is draped around Roxanne Hall and the new Jenna Jameson.

The National Italian American Foundation and the Istituto Italiano di Cultura Los Angeles co-host Canali.
To view Mario Canali’s art is to transport into a world of paradox, both delightful and disturbing. Featuring inquisitive human hybrids and surreal landscapes, Canali’s works are disruptive, edgy and innovative, as they were when he painted them in the 70s’ and 80s’. To gaze into the eyes of his creatures is like looking into the eyes of a lion, knowing you are safe only because they are caged. Canali’s hybrid humans not only catch the eye, they hold it spellbound.